Tours and other interpretive programs take place throughout normal operating hours. Large groups that are interested in a tour must make reservations in advance by calling the museum at 302-645-1148.

Lectures



Exhibits & Displays

First Floor Gallery

Discovering Delaware’s Maritime Past.

Model of His Majesty’s Sloop DeBraak

This display explores His Majesty’s Sloop DeBraak, a British warship that was escorting and protecting a convoy of British and American merchant ships en route to the United States when it was capsized and lost off the Delaware coast on May 25, 1798. Items on view include a photo of the salvage of DeBraak’s hull, reproductions of artifacts from the ship and a model of the vessel.

A Seaborne Citizenry: DeBraak and the Atlantic World

Section of the exhibit “A Seaborne Citezenry: DeBraak and the Atlantic World”
Section of the exhibit “A Seaborne Citezenry: DeBraak and the Atlantic World”
Section of the exhibit “A Seaborne Citezenry: DeBraak and the Atlantic World”
Lemon Juice bottle known as “Rob”. This was added to the daily rum rations to prevent scurvy.

“A Seaborne Citizenry: The DeBraak and Its Atlantic World” explores His Majesty’s Sloop of War DeBraak, a British warship that was escorting and protecting a convoy of British and American merchant ships en route to the United States when it was capsized and lost off the Delaware coast on May 25, 1798. The remaining section of the ship’s hull and associated artifact collection have been curated by the Delaware Division of Historical and Cultural Affairs since they were acquired by state of Delaware in 1992.

The only ship of its type that has been recovered anywhere in the world, the DeBraak represents a significant source of historical information on Royal Navy sloops of war. Well armed, fast and agile, these vessels were seeing expanded service during the French Revolutionary Wars (1793-1801). The exhibit tells the story of the vessel, its place within the Royal Navy and the broader historical context within which it operated in the Atlantic World of the late 18th century.

Exhibited artifacts shed light on shipboard life and the material culture of the DeBraak’s officers and crew. Hull materials illustrate the many technological advances that were taking place in shipbuilding in the late 18th century. Lectures and tours of the hull’s remaining section are offered on Wednesdays and Thursdays from June through September.

Second Floor Gallery

Rose Color to Gold to Glowing Red: Orville and Ethel Peets in Paris 1913-1914

Section of the exhibit “Rose Color to Gold to Glowing Red: Orville and Ethel Peets in Paris 1913-1914”
Section of the exhibit “Rose Color to Gold to Glowing Red: Orville and Ethel Peets in Paris 1913-1914”
Section of the exhibit “Rose Color to Gold to Glowing Red: Orville and Ethel Peets in Paris 1913-1914”

Ethel Poyntell Canby (1877-1955) started her art training at the Clawson S. Hammitt School of Art in Wilmington and became friends with Ethel P. Brown (Leach) and William Leach. Ethel went on to the Pennsylvania Academy of Fine Arts and studied with Howard Pyle. She later travelled to Paris to study at the Academie Moderne and kept a detailed diary of those years. She exhibited and won prizes at the Wilmington Society of Fine Arts and the Baltimore Museum of Art.

Orville Houghton Peets (1884-1968) studied art in Paris at the Academie Julian and the Ecole des Beaux-Arts. He exhibited across the US and won numerous prizes for his prints and oil paintings. His works are in the collections of the Cleveland, Philadelphia and Baltimore Museums of Art, the University of Delaware, the Rehoboth Art League and Delaware Division of Historical and Cultural Affairs.

Ethel and Orville Peets are credited with bringing in fresh modern ideas to Delaware after their illustrious careers outside the state in the early years of the 20th century. They each influenced the art scene in a profound and lasting manner by creating art, teaching classes, and holding art forums. With the acceptance of over 400 pieces of multimedia art and art materials in 2004-2007 by HCA, this exhibit shows a small portion of the tremendous body of work by this artist couple.

The Zwaanendael Merman

Zwaanendael Merman

The Zwaanendael Merman is an example of folk- or sailor's-art. Division of Historical and Cultural Affairs' museum curators believe that it was made in China in the mid-19th century, and is comprised of fish, hair, ivory, a shrunken monkey head, oak, stain, varnish, glass, and dye.

Creations such as the Zwaanendael Merman were conceived as pranks or side show curiosities at a time when sea captains were returning from the newly opened ports of East Asia with tall tales of exotic, never-before-seen creatures, and at a time when people were trying to learn more about the science behind human origins. Other names for creatures of this sort are "Fiji Merman," "Devil Fish," and "Jenny Hanivers."

The object that later became known as the Zwaanendael Merman belonged to the Martin family of Lewes for nearly a century after being presented to a family member by an old sea captain. Mrs. Martin's possessions were put up for auction after her death but a nephew set aside the Merman for display at the Zwaanendael Museum beginning in 1941. After the nephew's death, the Merman was almost sold off as part of an estate sale. Citizens of Lewes and members of the Lewes Historical Society responded to the threat by collecting donations which were used to purchase the Merman for $250. He was then presented as a gift to the Zwaanendael Museum by the Lewes Historical Society in 1985.